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	<title>kondimopoulos.com</title>
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	<description>Artist Extrordinaire</description>
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		<title>Like Wild Horses Running Away Over The Hills</title>
		<description>


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Like Wild Horses Running Away Over The Hills
&#160;












Ripples and Journeys
2010
City of Monash Civic Center, Melbourne, AustraliaWorks to be installed 2010 in:
Abu Dhabi, Melbourne, Canberra, Denver, Boston, Vancouver, Gisborne- New Zealand, Palm Springs


For me art has in some way or another always been an ...</description>
		<link>http://www.kondimopoulos.com/archives/164</link>
			</item>
	<item>
		<title>Free at last, free at last, thank God Almighty we are free at last</title>
		<description>


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Free at last, free at last, thank God Almighty we are free at last
 
In a recent article in The Guardian newspaper the question was asked - can art save the world? As idealistic as I am it would be hard for me ...</description>
		<link>http://www.kondimopoulos.com/archives/163</link>
			</item>
	<item>
		<title>Black Parthenon</title>
		<description>
Black Parthenon






Black Parthenon
2009
Federation Square, Melbourne, Australia
  Commissioned by Robyn Archer, Director, Festival of Light
6m x 4m x 5m
Lights, scaffolding, black cloth


Black Parthenon is a repatriation art action, a public light installation highlighting the issue of the appropriation of cultural and sacred objects. The work not only addresses the increasing ...</description>
		<link>http://www.kondimopoulos.com/archives/145</link>
			</item>
	<item>
		<title>A Handful of Dust – the intrinsic flaws in art</title>
		<description>


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A Handful of Dust – the intrinsic flaws in art
As an artist I have always searched for the imperfection in an artwork. Perhaps imperfection isn’t quite the right term to use – let’s call it the ‘flaw’ or ‘fault’ in a work of ...</description>
		<link>http://www.kondimopoulos.com/archives/143</link>
			</item>
	<item>
		<title>Everybody Knows –</title>
		<description>
Everybody Knows –
 Antony Gormley –The 007 of Public Art –  Stirred but not shaken
Antony Gormley is an exceptional sculptor who I greatly admire. When reading the responses to comments made by him on public art a few weeks ago the lyrics and music of Leonard Cohen’s Everybody knows ...</description>
		<link>http://www.kondimopoulos.com/archives/138</link>
			</item>
	<item>
		<title>Alien Nations, Sumo Wrestlers and Public Sculpture</title>
		<description>
Alien Nations, Sumo Wrestlers and Public Sculpture
What people forget about sculpture, especially public sculpture, is that by its very nature we are dealing with a physical entity. It occupies and alters space.

In order to secure visibility in the urban landscape, sculptures tend to be large and (in most cases) immovable. ...</description>
		<link>http://www.kondimopoulos.com/archives/1</link>
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