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	<title>kondimopoulos.com</title>
	<link>http://www.kondimopoulos.com</link>
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	<item>
		<title>Paradise Lost</title>
		<description><![CDATA[
1991
Suter Art Gallery, Nelson, New Zealand
CSA Gallery, Christchurch, New Zealand
Kon Dimopoulos&#8217;s series of gridded works &#8230;..seem like a newsroom wall covered by a series of TV sets, with each one flickering out its message of tragedy and gloom.
Quickly sketched profile,&#160;&#160;<a href="http://www.kondimopoulos.com/2010/06/paradise-lost/">more...</a>]]></description>
		<link>http://www.kondimopoulos.com/2010/06/paradise-lost/</link>
			</item>
	<item>
		<title>The Blue Trees</title>
		<description><![CDATA[
2006
Melbourne, Australia
Blue Trees is an afforestation art action, an avenue of trees coloured blue, a total immersion, the trees becoming identified by colour.
The Blue Trees is an ephemeral work, reverting back to its original state over time. An afforestation art&#160;&#160;<a href="http://www.kondimopoulos.com/2010/06/the-blue-trees/">more...</a>]]></description>
		<link>http://www.kondimopoulos.com/2010/06/the-blue-trees/</link>
			</item>
	<item>
		<title>Black Parthenon</title>
		<description><![CDATA[
2009
Federation Square
Melbourne, Australia
Commissioned by Robyn Archer, Director, Festival of Light

]]></description>
		<link>http://www.kondimopoulos.com/2010/06/black-parthenon/</link>
			</item>
	<item>
		<title>Kroc And The Creation Of The Big Byte</title>
		<description><![CDATA[
1997
Physics Room
Christchurch, New Zealand
Plastic, digital imaging
Seeking spirituality in fast food, Konstantin Dimopoulos presents a visual essay which profiles in very simple words and drawings the development of McDonald&#8217;s corporate image by master salesman Ray Kroc. Dimopoulos invites us to enter&#160;&#160;<a href="http://www.kondimopoulos.com/2010/06/kroc-and-the-creation-of-the-big-byte/">more...</a>]]></description>
		<link>http://www.kondimopoulos.com/2010/06/kroc-and-the-creation-of-the-big-byte/</link>
			</item>
	<item>
		<title>Level 4</title>
		<description><![CDATA[





1998
Manawatu Art Gallery
Palmerston North, New Zealand
1997
Rotorua Museum of Art
Rotorua, New Zealand




Level 4 is an experimental installation. It places a quantity of organisms within a controlled environment under scrutiny, and magnifies them. In the world of the virus, we are the&#160;&#160;<a href="http://www.kondimopoulos.com/2010/06/level-4/">more...</a>]]></description>
		<link>http://www.kondimopoulos.com/2010/06/level-4/</link>
			</item>
	<item>
		<title>Mind At The End Of Its Tether</title>
		<description><![CDATA[
1998
Gallery 33 1/3, Wellington, New Zealand
CSA Gallery, Christchurch, New Zealand
&#8220;An installation at the CSA Gallery by Kon Dimopoulos helped compensate for a recent dearth of convincing work by artists of &#8216;life&#8217; as opposed to artists of &#8216;taste&#8217;. He magnified the&#160;&#160;<a href="http://www.kondimopoulos.com/2010/06/mind-at-the-end-of-its-tether/">more...</a>]]></description>
		<link>http://www.kondimopoulos.com/2010/06/mind-at-the-end-of-its-tether/</link>
			</item>
	<item>
		<title>Works From A Savage Garden</title>
		<description><![CDATA[
1999
Suter Art Gallery, Nelson, New Zealand
Gorse, paint, cotton, steel
Works From A Savage Garden attempts to confront certain socio-cultural issues relating to place by making use of the device of the site in a very minimalist way.
The gorse becomes a metaphor&#160;&#160;<a href="http://www.kondimopoulos.com/2010/06/works-from-a-savage-garden/">more...</a>]]></description>
		<link>http://www.kondimopoulos.com/2010/06/works-from-a-savage-garden/</link>
			</item>
	<item>
		<title>Black Pharoahs Appropriation</title>
		<description><![CDATA[
2005
Nagoya, Japan
Trees, paint, synthetic mesh
Dimopoulos also made a temporary installation in Nagoya, Japan, a work that now exists only as documentary photographs. Black Pharoahs Appropriation, a one-off experiment, consisted of a row of five trees swathed in black frost cloth,&#160;&#160;<a href="http://www.kondimopoulos.com/2010/06/black-pharoahs/">more...</a>]]></description>
		<link>http://www.kondimopoulos.com/2010/06/black-pharoahs/</link>
			</item>
	<item>
		<title>The Tattooed Tailor</title>
		<description><![CDATA[
2005
Melbourne, Australia
L&#8217;Oreal Melbourne Fashion Festival 2005
4m x 15m x 3.5m
Paper, cotton, wool, vinyl, glass
The Tattooed Tailor is a mixed media installation integrating conceptual art, sculpture and fashion It is a work that traces and explores some universal themes relating to&#160;&#160;<a href="http://www.kondimopoulos.com/2010/06/the-tattooed-tailor/">more...</a>]]></description>
		<link>http://www.kondimopoulos.com/2010/06/the-tattooed-tailor/</link>
			</item>
	<item>
		<title>Pacific Grass</title>
		<description><![CDATA[
2001
Wellington, New Zealand
6m x 3m x 2.5m (3 sections) I 20 x 15 x 10 ft
High performance composites, concrete
Commissioned by the Wellington Sculpture Trust, sponsored by Meridian Energy and gifted to the City of Wellington
]]></description>
		<link>http://www.kondimopoulos.com/2010/05/pacific-grass/</link>
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